The Protocols of the Elders of Sodom reviewed by David Renton in The Independent, August 2, 2009
This book is a collection of 36 mid-length articles written by Tariq Ali over the past three decades. It contains book reviews, diary pieces and even the transcripts of conversations between Ali and other writers. It is not a “selected works”. Rather, if anything binds the collection together it is a decision generally to eschew overtly political writing (for example, about the current crisis in Pakistan, about which Ali has written elsewhere), in favour of reviews and literary polemics.
Not all of the pieces in the collection succeed. Although it gives the book its memorable title, the opening chapter is an over-long satire to the effect that gay men as well as Zionists might contemplate a return to Israel. (Ali’s longer satires, like his worst novel, Redemption, ache. His short jokes sizzle).
Also included is the text of three public dialogues between Ali and Salman Rushdie, Maria Vargas Llosa and Juan Goytisolo. The Rushdie conversation took place at the ICA in London after the publication of Midnight’s Children and Shame, when Rushdie was at the top of his game. But large parts of the debate seem to have been conducted between the two writers at monologue length, and the questions from the audience are forgettable. If anything, the exchange detracts from an intelligent review by Ali of Midnight’s Children, which is included just 17 pages before.
Other, sharper, essays find as much in Kipling and as little in War and Peace as each deserves. There is also a moving piece in which Ali attends an event in his honour in Diyarbakir in Turkish Kurdistan, only to find that voices which previously advocated self-liberation now pin their hopes on American intervention. read more
Published by Verso, 2009
Provocative and witty essays on the giants of world literature
Written over the last four decades, these provocative essays and diary entries explore the links between literature, history and politics. Training a critical, imaginative and occasionally a satirical eye on the works of varied writers—including Cervantes, Tolstoy, Proust, Joyce, Musil, Roth, Powell, Platonov, Solzhenitsyn, Grossman, Munif, Goytisolo and Rushdie—Ali discusses common themes as well as polarities, first impressions and re-readings, always seeking to contextualize the text in the political and historical milieu of its creation. Inviting the reader to share in the frustrations and pleasures of world literature and showcasing Ali’s range and polemical verve, this collection will be sure to attract critical attention and a wide readership.
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Read an extract here
Reviews: The Independent, Scotland on Sunday, The Socialist Review
The Book of Saladin reviewed by Vinod Joseph in Epic India, November 11, 2008
In The Book Of Saladin, Tariq Ali goes back a few centuries from his first book, Shadows Of The Pomegranate Tree. This second novel in Tariq Ali’s Islam Quintet is set in the 12th Century and is narrated by Ibn Yakub, a Jewish scribe retained by Saladin to pen his memoirs.
As the name suggests, The Book Of Saladin revolves around Saladin, the founder of the Ayyubid dynasty and the Sultan of Egypt and Syria. As most people know, Saladin’s biggest achievement was the recapture of Jerusalem from the Crusaders and its defense against subsequent invasions. Tariq Ali has done an excellent job in portraying Saladin’s character. Saladin is not your average, run-of-the-mill brave King who dashes off into danger without a second thought. Instead, Saladin is shown as a schemer and a planner who has only one objective in mind – the re-capture of Jerusalem from the Crusaders. A Kurd from the mountains, Saladin lives by the Kurd’s code of honour. He will do anything to honour his word. A simple man, he leads a non-ostentatious life, eats simple food and gives away most of his wealth to charity. He leads by example, albeit in a calculated manner. He avoids giving battle unless the conditions favour him. He is cruel only when necessary and treats his defeated adversaries generously. read more
An interview with Tariq Ali by Talat Ahmed for Socialist Review, November 2006
‘The history of the development of Islamic civilisation is one of adaption and intermingling. It is one of both influencing the non-Islamic world and being influenced by it.’ Tariq Ali challenges the myth that Islam is incompatible with the West in his four novels about the Muslim world and Europe. He discussed them with Talat Ahmed.
Since Jack Straw made his comments on the veil, politicians have been falling over themselves to demonise Muslims in Britain. Now university lecturers are expected to spy on “Asian-looking” students in order to spot potential terrorists, while parents are warned to be on the look out for “fundamentalist” tendencies among their children. Britain seems to be in the grip of an anti-Muslim hysteria that has been gathering pace for some time. Tariq Ali’s four novels on Islam and its relationship to Europe provide not only welcome relief but also an antidote.
“The politicians and media have created a dominant image of Islam that is one of bearded terrorists,” says Tariq. “Almost everywhere these days you can read nutty right wing novelists like Martin Amis talking about Islam as an ‘evil religion’. To fight against that is an uphill struggle.” read more
Re-reading Anthony Powell: ‘Come dancing’
‘Come dancing’ by Tariq Ali for The Guardian, January 26, 2008
Anthony Powell’s 12-book series A Dance to the Music of Time is often seen as the epitome of the English novel. Tariq Ali finds some surprising European connections
Anthony Powell was the most European of 20th-century British novelists. We need to dispense with the blinkered view that his A Dance to the Music of Time is a novel sequence that can be enjoyed only by English “toffs” or readers of the Daily Telegraph. It’s a prejudice that has dogged Powell for far too long.
What is on offer in the 12 novels that constitute the Dance (published between 1951 and 1975) is not the nuances of class snobbery, but a reflection of the social history of five crucial decades of the last century, beginning with the end of the first world war and ending with the turbulence of the 60s. There is nothing quite like it in English letters. Some years ago I encountered one of our leading literary critics at a party and the following conversation took place:
A closed world it is not. The sequence contains the most entertaining accounts of bohemian life in London from 1920-58, decades during which Powell not only mingled with that world, but also often enjoyed it more than coming-out parties in Belgravia. One of his jottings in A Writer’s Notebook (published posthumously in 2001) is apposite: “You can’t be a creative artist if you are in any restrictive sense an intellectual snob.” read more